This already makes the film unique, but the use of ahead-of-its-time costuming and special effects in order to film a demonic panorama right out of Bosch or Bruegel, and Christensen’s irreverent sense of humor as he does it, is what makes it truly weird. In making HÄXAN, Christensen dismissed the then-nascent rules of classical filmmaking and turned it into a sprawling, tangent-filled lecture based on real historical texts. The greatest inspiration to my art practice for many years has been Häxan: Witchcraft throughout the Ages. Story: This documentary-style horror film presents the evolution of witchcraft from the medieval ages, to the modern. HÄXAN marked a parting of the ways for Christensen and the Danish film industry thereafter, he confined his activities to the German cinema, before answering Hollywood’s call in 1928. Hxan: Witchcraft Through the Ages (1922). Though obviously a work of pure imagination, the film occasionally takes on the dimensions of a documentary, a byproduct of the extensive research done by Christensen before embarking on the project (incidentally, the director himself can be seen in the film in a dual role as Satan and the Doctor).
So powerful are some of these images that even some modern viewers will avert their eyes from the screen.
#WITCHCRAFT THROUGH THE AGES SERIES#
Beginning in a deceptively sedate fashion with a series of woodcuts and engravings, the film then shifts into gear with a progression of dramatic vignettes, illustrating the awesome power of witchcraft in the Middle Ages. And that is why unusual things were believed to be true.”ĭanish filmmaker Benjamin Christensen’s obsession with bizarre lighting effects reached its apotheosis with his 1922 masterpiece HÄXAN. “Such were the Middle Ages, when witchcraft and the Devil’s work were sought everywhere. BiZz-R-O Cinema Presents: HÄXAN: WITCHCRAFT THROUGH THE AGES
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